December 2008 update

In South Africa, quality radio programming is a problem. Maybe it’s because we live in such a culturally diverse country, but radio station wise, it is very difficult to tune into some good quality rock.

 

This does not always have to be a huge issue since I now have my Squeezebox ( see www.slimdevices.com) and can therefore tune into radio stations around the world via the internet at home. The huge issue relates to what to listen to when I am driving.

 

I have blogged before on the college radio station UJFM that can be picked up in the Johannesburg area, and they have been a bit of a life-saver in this regard. You cannot begin to describe my joy in turning on the radio at 6:45 a.m. on my way to work and hearing the new AC/DC, Kings of Leon, Killers or Metallica song. Sometimes even an old classic comes on that leaves me overjoyed. This radio station can really be a life-saver sometimes.

 

There are slots in their programming where it all goes horribly wrong for me. They do have times that they play more of the commercial type industry bubble-gum. They also have some DJ’s who are abysmal. Some of these guys cannot even pronounce the street names around Johannesburg when providing traffic updates. That kind of makes the whole point of a traffic update redundant.

 

But on the whole, this is still a great station to listen to when looking for some good rock music.

 

A few weeks ago I even entered a competition on a Sunday afternoon whereby I won the new Kings of Leon album – how cool is that? For the record, it is a very good album. I had my reservations about this album and that is why I had not already bought it, but it certainly holds up as a strong offering from a really talented band.

 

Other news for December is that most magazines on the web have got their ‘Best of 2008’ lists out. Have a browse on NME.com (there is even a blog on NME.com that tries to compile results from all over), rollingstone.com and popmatters.com for a view on what people are rating for the year. For a South African flavour check out www.isolation.tv for Lloyd Gedye’s best of 2008 summary. My favourite South African rock offering is the new one (EP only unfortunately) from Foto Na Dans. They are an incredible band doing very fresh stuff. In terms of my favourites for 2008, what is new to me may even actually be a couple of years old.

 

What I can commit to however, is that the greatest musical experience I had this year was seeing Muse live in Johannesburg! Truly truly incredible. I am not sure that I will ever get to see something like this in South Africa again.

 

In terms of albums, Bon Iver – For Emma, Forever Ago is my recommendation for 2008 in terms of what I have heard of all the offerings out there, which probably is not much.

 

The best music related DVD that I bought this year is Tom Petty & the Heartbreakers – Runnin’ Down a Dream by Peter Bogdanovich.

 

Albums that I listened to a lot this year regardless of when they were released are:

 

Rodriguez – ‘Cold Fact’,

Radiohead – ‘In Rainbows’,

Muse – ‘HAARP’,

AC/DC – ‘Black Ice’.

 

All in all I thought that 2008 has been a great year for music! Let’s see what 2009 has to offer….

CD Review: Robert Plant and Alison Krauss - Raising Sand

As an avid Led Zeppelin fan, I have tried to follow the careers of it’s members over the years. I have bought albums such as ‘Honeydrippers’, ‘Outrider’, ‘Walking into Clarksdale’ and ‘Manic Nirvana’ amongst others. And I must say that none have ever been as satisfying as the tremendous back-catalogue that Led Zeppelin have.

 

Also, I have a couple of Alison Krauss and Union Station (AKUS) albums which are enjoyable blue-grass offerings. Therefore this specific musical partnering appealed to me the moment I heard of it. Of course I was a little anxious, as I have felt let down by Robert Plant before, but as the rave reviews came in, I felt more and more confident that this would be a worthwhile purchase. But I was a little concerned that I would be getting a full CD’s worth of ‘Battle of Evermore’ style keening. While a fantastic song in the context of the Led Zeppelin album, I had my doubts about this being bearable for a whole albums worth of songs (I have enough issues with some of the neighbourhood cats on my garden wall).

 

My next problem was finding it at a decent price in South Africa. It seemed to be priced at least 10% higher than any other current/chart CD in the shops that I visited, and that offended my principles of the moment (hee hee). Then I noticed recently that it was going for half-price in on-line retail shops like Amazon, and my mind was made up. That’s the story on why I took so long to buy it!

 

The first good news is that it is not as I imagined – namely not ‘Battle of Evermore’ keening throughout. While Robert and Alison do sing together on a lot of the songs, there are just as many where Robert takes the lead, or Alison takes the lead with the other performing backing only. This means that there is plenty of variety. Another point is that the pace is rather slow. There are one or two up-beat songs, but it is largely a pretty laid-back album.

 

What comes through though is a pair of voices that nearly perfectly compliment each other, a solid bunch of musos backing this all up, and the production standards of T-Bone Burnett. I would say that the music is dreamy, smooth, beautiful, down to earth and warm. Overall, if one wanted to classify it, I suppose that one could say ‘Country’.

 

Making a reappearance from Plant is ‘Please Read The Letter’, that also appeared on ‘Walking into Clarksdale’, and I suppose that people are still not reading his letters. Since you’re asking, I will say that I prefer this version of the song but I really wish someone would read the damn letter now. The overall feeling about this album is that Plant sounds a lot better than he has for a while. Not everything is highly original. Songs are covered, the style is old, but amazingly it is one of the freshest sounding offerings that I have heard this year. I hope that they do another one!

CD Review: The Felice Brothers - The Felice Brothers

Amidst all the genre definitions of music, there is a constant striving in the music industry to pigeon-hole bands and their musical styles. One that I have become increasingly attracted to is that that has been labeled variously alt.country, Americana, or even alternative rock. Maybe I have confused a few of them together where in reality they should be considered more distinctly, but what I am talking about is music by the likes of Wilco, Golden Smog and more recently Okkervil River and The Felice Brothers amongst others. What seems to define this music for me is that real instruments are used, influences can be detected from Bob Dylan and The Band to Tom Petty, Hank Williams, Johnny Cash and the blues. The music is earthy, rootsey and heart-felt.

 

The Felice Brothers have two albums out. This one called ‘The Felice Brothers’ and is their second, apart from one song on their first (which I love) I have not heard that one. Based on my enjoyment of their second, I will certainly try to dig out their first. This can be a challenge in South Africa as shops here are pretty dismal, and ordering online has become more and more risky whereby shipments are frequently lost.

 

‘The Felice Brothers’ is in fact a very varied album. This was a refreshing discovery for me as I had the expectation that they would put out an album full of very similar sounding songs. This is not the case. Sure the vocalists have pretty distinctive sounds, and there is a general trend of a basic format carrying each song. But the pace changes a lot from song to song, the vocalists seems to change too (there are no liner notes so I don’t know this for sure, but if it is the same guy singing every song, he sure can change a lot), and they bring in some pretty different instrumentation from song to song too. Again without liner notes I can’t be 100% clear on who is playing what on each specific song, but on some the is the presence of brass, others include the accordion, while others can be pretty stripped down too. But my point here is that The Felice Brothers have managed to keep the entire album refreshingly different.

 

The anecdotal nature of the songs also draw the listener in from song to song. In each, one is also drawn into considering the protagonist. This multi-layered song writing requires a lot of talent and skill, and this band is certainly not short on that. What this results in is that you can listen to this album time after time and it reveals itself to you a little more each time.

 

The band is not afraid to start the album off on a pretty subdued note with the exquisite ‘Little Ann’, subsequently taking the listener on a roller-coaster ride with many changes of pace. One of the main ingredients that I look for in a great album is that of the fun element, and you can hear that this band really enjoys what they do. This is highlighted in some of the more bar-room brawl type songs that they deliver which bring a smile to my face every time. These songs come across as raunchy and rollicking, but such is the nature of this album, that you can expect a complete change of pace at any time.

 

If you’re looking for some real music by a band that loves what they do – I strongly recommend this one.

November 2008 summary

While the postings on this blog may not reflect it, November has been a rather busy month for me in terms of my music activities.

 

Amidst the financial crises around the world, and the subsequent tightening of belts by consumers, I have been out shopping. I have purchased the following albums and found them very enjoyable (I hope to provide more in-depth or detailed assessments soon):

 

The Felice Brothers – The Felice Brothers,

Robert Plant and Alison Krauss – Raising Sand,

Bon Iver – For Emma, Forever Ago,

MGMT – Oracular Spectacular, and

Okkervil River – The Stand Ins.

 

I also got the chance to visit the excellent Roughtrade store in East London, and can report that they have a really cool shop there including, by today’s standards, a huge vinyl selection, as well quite a different categorization system for their CD’s. Check out their web-site here www.roughtrade.com where you can shop online. Also very cool there are the in-house compilation CD’s that they put together. These are great samplers of specific themes, or genres – normally 2 CD’s for about 11 GBP. You can also check out their top ten list for 2008.

 

Other exciting things about November have been the appearance of the new Kings of Leon album. I have not heard it yet, but love the single. As well as the great reviews of Metallica’s latest which , I am ashamed to admit, I have not yet heard either. Some members in my household are also wildly anticipating the release of the new FOB album. Then the biggest buzz around has got to be that Guns ‘n Roses have finally released their ‘Chinese Democracy’ album after 15 years in the making. I have heard snippets, and all I will say right now is that what I heard sounded ‘OK’.

 

In December, I will try to compile some lists such as my best purchases of 2008. Songs that I have most enjoyed in 2008 etc. If you have any best of 2008 music comments to make, please do not hesistate!

CD Review: AC/DC - Black Ice

In nature  some animals imprint. This normally occurs at birth and is a method for improving their chances of survival. For example a new born duck imprints on the first duck-like moving thing it sees, and learns to follow this in convoy style (or so is my limited understanding from Microsoft Encarta). Why am I explaining this?

Well, the first truly cool music I heard was AC/DC. Up until then it had always been stuff like ABBA, Boney M, etc that never really moved me. The moment that George brought his AC/DC albums to school I was intrigued. Once I heard it on a decent sound system - it had imprinted. Therefore I’ll be honest from the outset here – there was no way that I was not going to like this album. I have always believed that AC/DC are the greatest band around, I love Angus’ guitar playing style, and their songs always cheer me up!

There have been some mediocre albums, but over the years, every album has had great songs to offer with new ways of saying the same thing offered, and also new things to say. So, I don’t think that I am like the Robert De Niro Rolling Stones fan in ‘The Fan’ in that I can admit to being a bit more realistic in my expectations of the band.

I do however imagine AC/DC sitting in their well-deserved lap of luxury, being stumped and agonizing over how to keep things fresh and vital after so many years. And my view is that I wish that they would not do that. Get in the studio, make a whole lot of hard driving boogie rock and roll, add lyrics about all the rude jokes and innuendos that you can think of and take it from there – what could be easier? Keep it greasy and menacing with lots of sinister sounding backing vocals. The guitar should be razor sharp, slicing through the clutter that invades my day and the riffing should massage my brain in the way that a physiotherapist would treat your lower back (i.e. not too gently, but it feels great when it stops). The thing is, in my view, AC/DC fans probably are not looking for something that’s too different, as long as it rocks, and gives them a new excuse to pump some seminal AC/DC out of their stereos. They have done enormous bell gongs, and cannons firing, and I suppose it is difficult to top that in the 2000’s? I, of course, would like cannons on every album, but am prepared to admit that they may come across as overused to other none cannon preferring listeners (at least they’re included on most of the live albums). In addition, most of my experiences with AC/DC albums have resulted in some type of damage – AC/DC ‘Live’ resulted in me accidentally breaking the volume button on my car stereo, ‘Back in Black’ broke some speakers, you get the idea. This has sort of become an expectation too….. in short I want to be Thunderstruck! That looks easy enough…….

So, what have they done with ‘Black Ice’?

Well, I’ve listened to it in the car on the way home from the shop, I listened to it twice on the stereo at home and I have listened to it again driving to work and back (it’s an extremely listenable album).

They have made another AC/DC album – that’s what. It’s all in here: the straight ahead AC/DC style boogie rockers, the various innuendoes, the fantastic Young brother’s guitar sound, the rock solid and booming rhythm section and the high spirits. Also, they have slowed things down on a couple of songs, and offered some new things like some that almost sound like Pop songs. To me there is no shock and horror related to this (the slowing down that is), I have always enjoyed songs like ‘Ride On’ and ‘Night Prowler’ and have believed that this element of their oeuvre has been neglected on the last few albums. Even the most classic of their albums such as ‘Highway to Hell’ includes tracks such as ‘Touch too Much’ or ‘Love Hungry Man’ which in my view are pretty ‘light’.


They have also not remained impervious to the world around them. Both lyrically and musically, the 2000’s have had an influence. For example ‘Anything Goes’ and ‘War machine can be musically linked to offerings by younger bands such as the Killers and The Raconteurs (the guitar reminds me a lot of ‘Born in the USA’ era Springsteen). However, there have always been moments when AC/DC have displayed a lighter touch.
On ‘Rock 'n' Roll Dream’ Johnson sounds like a cloth capped version of Grace Slick, Stevie Nicks and the Wilson sisters all rolled into one. Maybe he has believed that all this time, he doesn’t do slow (the last slow AC/DC songs coming from Bon Scott). Well here he does, and it comes across well.

My Favourite track thus far: ‘She Likes Rock ‘n’ Roll’.

But, essentially, the question is: ‘Is this a good album’ i.e. ‘Is this as good as Highway to Hell or Back in Black’? The answer is not as easy. When I first heard those albums I was still in my teens. They resonated with my life at the time. How do I look at ‘Black Ice’: from the point of view of a teenage boy and the minimal baggage that comes with that, or from the point of view of a middle-aged male? While I believe that I am more in touch with my inner teenager than most, I will stick to the middle-aged view for the sake of honesty. After all the ‘boys’ in the band are even older than me, so let’s say that we have all ‘moved on a bit’. The sound and the music are great, what may be missing is the same level of humour in the lyrics that I have come to know and love. In that sense I think that this is a good album certainly better than “Fly on the Wall’ and ‘Flick of the Switch’, probably somewhere between ‘For those about to Rock’ and ‘Stiff Upper Lip’. I will say this: if you like AC/DC, you will like this album!

From a teenaged kid’s point of view amongst the clutter of itunes, ipods, MTV, hormones and insecurity, I don’t think that we will get an opinion on the album as a whole, and that is how the band want us to view it – a complete album.

In a career and history where the band has received so much from Rock and Roll, it is refreshing to see how much they are prepared to give back. I don’t think that they ‘need’ to make albums anymore, and that said, if they were only doing this to keep out of the way of the wife and kids at home it probably would have sounded terrible. But they have been dead serious about this and it shows. I believe that this is the underlying lesson relating to this band – it is not all about taking only, to succeed you also need to give, and these guys do so with all of their collective hearts and two big balls each too.

October 2008 Update

I have recently made some new discoveries and will hopefully post in more detail on them in the future. But just to keep everybody updated, here are few few things worth a mention.

Endless Boogie: I recently became aware of a band called Endless Boogie via a sampler in Uncut magazine. They really rock! These guys sound something like ZZTop and AC/DC with a lot of their own flavour in there too.

Rodriguez: We grew up to Rodriguez's 'Cold Fact' album being a part of the ambient sound in 70's suburban South Africa. It comes as a surprise that the rest of the world (apart from maybe Australia) had not paid this American artist much attention. It seems that now about 30 years later awareness has been raised. Give it a listen you will be amazed at how fresh it sounds, and how relevant the lyrics still are.

The Hold Steady:  I bought the new album recently 'Stay Positive', and it sounds fantastic.

Also: I just can't wait for the new AC/DC album. By all acounts so far it sounds like it is good. I have only heard the single 'Rock 'n Roll Train' thus far and while that is a fine song I really hope that the rest of the album is good.

DVD Review: Tom Petty and the Heartbreakers - Runnin' Down A Dream

As mentioned in an earlier posting, I was determined to get hold of a copy of the Peter Bogdanovic movie called ‘Runnin’ Down A Dream’. This is a movie he made about the life and times of Tom Petty and the Heartbreakers.

 

Well, I eventually bought it, risking my hard earned cash on the South African Postal service by ordering it from Amazon (I looked everywhere in South Africa and could not find the DVD). After two and a half weeks it arrived.

 

The version that I bought consists of the movie spanning two separate DVD’s, a live home-coming concert DVD, and a CD of some live rarities. The movie itself is about four hours long, the length of which has created a bit of controversy in itself.

 

The Movie

 

The movie is in fact a revelation. I had my doubts about a movie of this length, but as explained in the liner notes, so much footage from over the years existed that the actual material available was just too good to omit (we also have a theory on the KraKen Rock that Tom’s slow speaking style also dragged things on a bit). It seems that since the band started, there was always someone around with some form of video camera device. For me, living in South Africa all my life, who had only ever seen the video of ‘Don’t come around here no more’ in terms of Tom Petty and the Heartbreakers visual offerings, the time spanning footage was the revelation. There are visuals of the band performing in their early years, interviews spanning all the years, and some shots of the band backing up Bob Dylan. For me this was a pure visual feast.

 

Then there is the actual story (a movie should have some kind of story to it). Narrated by various people involved with the band, including most members of the band, it is riveting. After sitting down and watching the first discs about two hours worth of the movie, we seriously considered putting the second disc in straight away. It is a really enjoyable, informative documentary. The only criticism that I had at the end was that of – ‘why didn’t they explain more about various points’, and of course the answer to that is that four hours was already too long.

 

The story spans the formation of the starting bands in Gainesville, the quick demise of Mudcrutch (including where the name came from), the early days and the fact that like so many other bands they had to first break it in the UK before their home country would even take notice. Then it tracks the change of band members over the years, their relationships with other prominent artists (Stevie Nicks and Bob Dylan for example), as well as Tom’s Traveling Wilburys experience. The message that I felt prevailed from this movie is that, often you are only given one chance to do something – at these times, do not mess up., and don’t forget that dogged determination. If you don’t have it – you will fail.

 

In amongst all of this there are some really great moments, and I think that every person will find their own, whether it be a shot of Dave Grohl hammering away at the drums in a rare live performance, or the expressions on various faces during a drug bust in a German airport.

 

I would say – well worth a watch.

 

The live DVD

 

The live DVD is of a concert at the University of Florida in Gainesville in 2006. The guys are starting to look a bit old, and to me it seems to get off to a bit of a slow start. However, after about three songs in it picks up. My favourite parts are when Stevie Nicks joins them on stage. Viewers of the movie will understand her ongoing wish to be in the Heartbreakers, and with this in mind it is great to see her enthusiasm on stage.

 

Another thought that strikes me every time I watch Live Tom Petty and the Heartbreakers DVD’s is how astoundingly good Mike Campbell is. He is in every sense of the word a virtuoso (scary hairdo though).

 

The CD

 

The CD is only nine tracks long and offers live songs from the very early days to more recent times, mainly culled from live TV appearances such as Top of the Pops, The Old Grey Whistle test and Saturday Night Live. The last track is a sound check of a Hank Williams song that they had never done before (apparently) – hard to believe. Dave Grohl appears on the drums for the SNL performance, and if you had watched the movie, you would know how much that meant to him.

 

Interestingly the old songs sound just as great today, and the new songs sound fresh and strong.

 

Conclusion

 

I am glad that I bought this package. It is quite literally hours of entertainment.

There are amazing insights into the recording industry, as well as insights into the band and their friends. A statement not to be taken lightly when you count people like Bob Dylan and George Harrison among your friends.

If you like Tom Petty and the Heartbreakers, buy it. If you don’t, borrow it, and you may find that you do like them afterwards.

Book: Mark Oliver Everett - Things the Grandchildren should know

I never intended this blog to include book reviews. I have read several Rock biographies and autobiographies, but a book review is something completely different to an album review. What I have decided to do is briefly mention a good Rock related book if I come across one.

 

This brings me to mentioning an excellent Rock related book that I have just finished reading.

 

Recently Amazon lured me into recommendations that were Eels related, and brought my attention to a book called ‘Things my grandchildren should know’ by Mark Oliver Everett. Usually this author goes by the shortened name of E and fronts the band called the Eels. This book is his first autobiography, published in 2008 and therefore pretty much current. It takes us through his childhood, teens and struggles in life and the music industry up to today, and all I can say is that things have been pretty tough so far.

 

The book is well written in very direct prose that uses the actual story to capture the reader, and not necessarily other more subtle literary devices. It works for me and as the cliché goes ‘I could not put it down’.

 

The over-riding message that I got out of it is that one must never give up. When other people are trying to guide you in certain directions - stick to your principles. Over and over again one hears tales of how the record label does not like the new album and wants certain changes made. This book describes several of these incidents and how E handled them. The music industry is really tough and it takes a lot of dogged determination to succeed. I think that that is an excellent message for young people starting out in the industry to understand.

 

Of course, the his struggles in the music industry are described against the backdrop of the terrible struggles E has faced throughout his personal life too. The message about perseverance and determination is even more important in this context. There is never the feeling that E is saying ‘don’t bother me with your problems as mine have been so much worse’, the inherent message is more that life can be challenging, and as an individual one should remain true to oneself if there is to be any hope of rising above it all.

 

This is a well written, thought provoking book. Everyone should read it as it helps to put life into perspective.

 

On another note, please take time to check out the Eels website. It is definitely one of the best I have ever seen, and also makes some rare recordings available.

 

http://www.eelstheband.com/

 

 

Classic albums revisited 3: Lou Reed - Transformer

As the stream of thoughts, memories and recollections go, I was reminded by the offering from The Killers – ‘Tranquilize’, that I had purchased a re-mastered version of Lou Reed’s – ‘Transformer’ last year and not really paid it much attention. I am so familiar with the original album, I don’t think I felt any urgency in checking this CD out properly. I have listened to it a couple of times now, so let’s revisit it as one of the all-time classic albums out there. The question being – does it still stand up today?

 

About the album

 

Lou Reed had already achieved cult status with his work with the Velvet Underground by the time he went solo. His first solo outing was received with mixed reviews, and seemed to carry over a lot of songs from the Velvets days. I loved it, but what can I say, I belong to the school of thought that ‘Reed can do no wrong’. Sad I know, but at least I’m consistent. But, back to ‘Transformer’, and enter some side-kicks for the album, no less than David Bowie and Mick Ronson (a Spider from Mars). A lot is said about whose album ‘Transformer’ really is, for example the argument goes that Reed would never have been able to have done it by himself. The question is asked: why did Ronson not get more writing and playing credits, and further: how involved was Bowie really? My view is that this was a collaboration. It brought out the best in all the artists involved, and this is what made it a classic in the first place.

 

Ronson alone was a master. Originally from Hull in the UK, he made a couple of attempts at breaking into the music scene in London before returning to Hull and taking on some type of job maintaining local parks. Apparently he was out applying whitewashing to a football pitch when he got the call from Bowie to try out for the Spiders (there’s probably more to the story than this as they did not have mobile phones in those days). The rest is Rock and Roll history.

 

One common thread that appears when reading about Ronson (who has sadly recently succumbed to cancer) is his humility. Apart from the ‘Transformer’ album, and his work with Bowie, Ronson has made numerous other contributions, as well as a few solo albums and also some work with Ian Hunter (I have a vinyl copy of ‘Slaughter on 10^th Avenue’ that stands the test of time very well). On ‘Transformer’ he went about writing, arranging and playing several instruments on most of the songs.

 

Throughout rock history there are characters like Ronson who have transformed the sound of rock in an era, almost while nobody was looking, i.e. operating underneath the radar. Today we have the likes of Johnny Marr. Famous for his work in The Smiths of course, but then also responsible for a lot of non-credited work on some the The The albums, and, did you know, he also played on Talking Heads’ ‘Naked’ (my favourite Talking Heads album without a doubt). Another is Bernard Butler who has the ability to do the same as Ronson. This is probably the subject matter for an entire other posting, as I am digressing from the album review, but if you have other examples of this phenomenon please leave a comment and I will try to compile a more comprehensive posting at a later date.

 

So, looking at what the album has to offer, we start off with –

 

Vicious

What a cool song! Witty and swaggering it has the ability to put a smile on my face every time. Come to think of it, there are a few tracks on this album that do that.

 

Andy’s Chest

 

The Andy being none other than Andy Warhol – a key character in Reed’s past Velvet Underground history. The lyrics are great ‘… a hairy minded pink bare bear…’.

 

Perfect Day

 

Recently revived to help raise money for a charity cause, as well as appearing on the ‘Trainspotting’ soundtrack, this song grows from strength to strength. Dwelling on the simple pleasures in life that are made only more pleasurable by sharing them with a special person in you life, this is a joyful life affirming song that gets stronger with every listen. Ronson on piano apparently, and the symphonic swells dare anybody not to sing along to the majestic chorus.

 

Hangin’ ‘Round

 

‘You keep hangin’ ‘round me and I’m not so glad you found me ….’ go the lyrics. Reed a master of the message, gets it across with ease every time. This song also lays a blueprint on how to be cool.

 

Walk on the wild side

 

I suppose most people have heard this song. Without a doubt, this is Reed’s most popular song ever. At four minutes 15 seconds long, my view has always been - why so short? When in fact, this is longer than most of the other songs on the album. I can never get enough of it. Reed apparently could. Listen to the Reed live album ‘Take No Prisoners’. The audience constantly heckle him for not playing it, and when he does, it is pure vitriol.

 

Make Up

 

In the days before Emos and Goths, Reed and Bowie were at the forefront of ‘Glam Rock’ which introduced the world to Rock ‘n Roll androgyny and males wearing make up.  This song however is more a ‘fly on the wall account’ of someone transforming themselves with make up. Still fresh and highly listenable as a song.

 

Satellite of Love

 

Wacky weird lyrics take us ‘way up to Mars’. A great song with Bowie clearly having a lot of fun on the backing vocals. A lot can be said for music that sounds like fun was had in the making.

 

Wagon wheel

 

Another set of weird and whacky lyrics, but with another motivational theme laced with something nasty. Partly containing some good advice and then some advice that should probably be ignored. The music is nice and rocked up thanks to some great riffing from Ronson.

 

New York Telephone Conversation

 

‘I was sleeping gently napping when I heard the phone, who is on the other end talking, am I even home?’ this is a really short song, but biting and incisive in the multi dimensional way only Reed can be.

 

I’m So Free

 

Reed dead-pans his way through this song, with the famous backing vocalists offsetting this with joyful abandon. It works really well and seems to have influenced a lot of other artists over the years. I'm developing a theory that Reed is sometimes sarcastic!

 

Goodnight Ladies

 

A cabaret style song that probably astounded the audience. Considering that the entire album is rather astounding when compared to Velvet Underground material (although it was always pretty weird too) and then the first solo album, this track is then not so astounding. Reed’s offerings to the women in his life have always seemed to me to be quite bipolar. One moment the misogynist, the next the adorer of everything that is feminine, his songs swing from one side to the other like a pendulum. This one however, seems to me to place the pendulum firmly in the middle. The main point seems to be that behind the scenes (off the stage) life goes on at a pretty mundane pace.

 

So what is the verdict about the ‘Transformer’ album 36 years later? I recently read a review by music critic Emily Mackay (on NME.com) where she discusses the point of rock music. One that she mentions is that ‘great rock affirms life’. This album does that for me. In my view the album as presented above is still engaging and refreshing. It remains a collaborative effort that brings out the best in all involved. The sound is that of off-beat, weird but funky rock music. Loose and unhurried, the album sounds fun to me.

 

Do I recommend buying the CD? The songs sound great, and at the end there are interesting demo (acoustic) versions of ‘Perfect day’ and ‘Hangin’ ‘round’. These turn out to be very interesting in terms of offering a view on what the album could have been like had Bowie and Ronson not arrived. Better? No, but not worse either! Lou Reed can do no wrong – but I think that I said that already.

CD Review: The Killers - Sawdust

This album was released as a type of B-sides, rarities and remixes collection. As in my Eels posting in June, you will know that I can be quite partial to this type of release, if, of course, the band has the depth to support it. The Killers as such can be considered a fairly new band. Formed in 2002, and with only two albums to their name before releasing ‘Sawdust’ I think its safe to call them a young band. Bands like the Eels, Pixies and others had a lot of ‘real’ albums out before their B-sides releases surfaced, so I was a bit suspicious about this release at first – how can they sustain a full length (17 song strong) release of this nature?

 

First I must mention that my motivation for buying it was two-fold. One, I am a huge Lou Reed fan, bordering on the completist in his case. Reed is in fact the only artist that brings out the completist tendencies in me, I have however balked at buying ‘Metal Machine Music’ so I suppose I am not a real completist. Nevertheless his appearance on the first track of ‘Sawdust’, on a song called ‘Tranquilize’ was reason enough for me to buy the album. The second reason was that it was going for a slashed price in my local Musica store. Was I disappointed? No way and here’s why.

 

‘Tranquilize’ is an awesome song. Lou Reed is brilliant and his and Brandon’s voices work extremely well together. Another stand-out track for me, which may bother purists, but which I put down to pure fun is the Jacques Lu Cont’s remix of ‘Mr. Brightside’. Why mess with perfection you might ask – my answer is that when it’s done this tastefully, let’s have a little fun and enjoy the moment. Another interesting, and for me, thoroughly enjoyable track, is the Dire Straits cover ‘Romeo and Juliet’. A lot can be said about the paucity of the 1980’s era popular music offerings.  But when one examines the key influences on a band like The Killers and hears how they have managed to distil, and make their own, certain key moments of that era (think Soft Cell and A Flock of Seagulls, these leap out at me when I listen to ‘Sawdust’), you realise that it was not all bad. Here though the take on ‘Romeo and Juliet’ is pretty straight forward but rather enjoyable.

 

Another cover on this album is that of Joy Division’s ‘Shadowplay’. The pitch of Brandon’s voice was never going to match that of Ian Curtis, and it is refreshing to hear that he does it ‘his way’. Hopefully this cover will turn a younger generation onto the brilliance of Joy Division.

 

Then there is another cover, a few more original songs, and, to me, not a single bum track. I particularly like ‘Leave the Bourbon on the shelf’ with the world weary line ‘Leave the Bourbon on the shelf and I’ll drink it by myself’. Excellent rhyming, and in my view up there with the originality of Hank Williams. Apparently this song is the first part of a Murder Trilogy. You can find the details on Wikipedia.

 

This album is well worth purchasing, you will not be disappointed, it is definitely a hidden treasure.

September update

Well, August has come and gone without me posting a single thing. I apologise to my numerous readers. There are reasons for the slowness of pace in August, none of them very pleasant, and I will not be going into them here.

 

I have not been idle, however, and have been doing a lot of reading, listening and playing around with my new toy. Having recently acquired a Squeezebox, I can only rave. What a really cool device for bringing your computer-residing music collection back into you hifi (check the following link - http://www.slimdevices.com) I love it. I also spent a lot of time re-discovering Fleetwood Mac which traced my involvement from being too young to understand that it was not considered cool to really dig them (my favourite album at the age of 11 was ‘Tusk’), to being slightly embarrassed that I was the only guy in my peer group into ‘Mirage’ and ‘Tango in the Night’, to now understanding that its OK to have the occasional guilty pleasure as long as no-one else is harmed.

 

Uncut magazine is polling their readers for their favourite Pink Floyd song, use this link

http://www.uncut.co.uk/news/pink_floyd/news/12126 to go there and nominate yours.

There is also some good news out there. First AC/DC have completed their new album and it is due out soon. It is called 'Black Ice', and the first single from it is called 'Rock 'n Roll Train'. I was fortunate enough to hear it this morning on UJFM on the way to work, and it definitely improved my Monday for me a lot.

Secondly, Metallica are also ready with their new album called 'Death Magnetic'. It have not heard it yet, but review on my favourite music web-sites are good. Admittedly after 'St. Anger' I remain sceptical, especially since I noticed on Uncut's web-site they give it four stars and going back to their review of 'St. Anger' I saw that they gave that one four stars too. I'll decide for myself, and let you guys know what I think.

DVD Review: Tom Petty and the Heartbreakers - High Grass Dogs

Considering the age of this DVD, I suppose it is a bit late to be reviewing it now. But then, maybe, like me, you look at it in the shop every time you go in, wondering whether to buy it or not. Hopefully this can help you to make a decision.

I have always really enjoyed Tom Petty’s music. My vinyl collection includes ‘Damn the Torpedoes’, ‘Southern Accents’, ‘Let me up…’ and ‘Pack up the Plantation’. ‘Full Moon Fever’ was, in fact, the first CD I ever owned – a gift from my darling. As mentioned in a previous posting, I believe the ‘Pack up the Plantation’ album to be one of the best live concert documents out there. So I thought – let me try this DVD. It is mostly a collection of newer songs by Tom Petty and the Heartbreakers and I could get some idea of how good they are.

The packaging is a bit sparse, with not much information given. The audio quality is excellent , although at times I thought that the audience ‘sound’ was mixed down a bit too much, losing that live feel to a degree. The visual quality is also very good with evidence here that very careful planning had taken place. In terms of extras on the DVD, there are none. You can choose between 5.1 surround sound or normal stereo, and there is a menu to select individual songs, but that’s it! My only complaint is the repeated zooming in on Tom's moccasins and Howie Epstein’s boots – what is that all about? This was the last night at a series of Fillmore concerts which allowed the band to settle into the venue, polish their songs, and the director to plan the best visual coverage, and it shows.

I can report that the most recent album’s songs covered are pretty good. Some of the older songs included are ‘Jammin’ Me’ and a set from ‘Full Moon Fever’ such as ‘Free Fallin’’ and ‘Runnin’ Down A Dream’ (old Tom likes his apostrophes). There is a quieter acoustic section in the middle of the DVD that seems to go on for possibly one song too long, but then all is back on track with the Heart-breakers rocking out again including a fairly raucous encore. The band, as ever, do the job with sparkling proficiency. It is no wonder that Bob Dylan waylaid this band once to use as his backing on a tour. My view is that essentially this is a live band – they make all their studio recorded songs sound so much better live. This is why I love ‘Pack up the Plantation’ so much.

There are some funny moments too, where TP fluffs the beginning of ‘Even the losers’ a few times and tries desperately not to laugh for the next few bars once he finally gets it right. I think that Tom must have been watching this when he thought of the name for the DVD.

Tom Petty and the Heartbreakers have been described as being ‘so normal they are strange’, and it is this basic unpretentious approach to their music and their performance that draws one in. There are no bombastic theatrics or posturing, and yet most of the full 90 minutes of this DVD go by in a blink of an eye. Leaving you wondering how a band can be so good live. Petty and Mike Campbell trades licks and solos effortlessly and smoothly throughout, with the result being some really enthralling guitar work. My conclusion is that, yes I’m glad I bought the DVD, no mistake there. I will probably never see a band like this live in South Africa and this is certainly the next best thing.

I have heard that there is a new DVD set out that documents the life of Tom Petty over two DVD’s , and then also includes a third live DVD and a live CD, called ‘Runnin’ Down a Dream’. This is definitely on my wish-list!

2008-09-02

Having re-read this a few times, and also watched the DVD a few times more, I have a couple of points to add.

Firstly the visual quality is not that great, but its OK.

Secondly, I never even mentioned the guest appearance of legendary Bo Diddley for a rendition of 'Mona'. This is especially poignant now that the great man has passed away. The whole band was glowing with excitement backing him on the song.

Thirdly, since this recording was made, Howie Epstein has also passed away. The facts behind this are a tragic tale, and while watching the DVD it is really sad to see how much he clearly enjoyed being up there and performing, and then too, how well he complemented Tom Petty on vocals throughout.

Great Song Lyrics Collected

I would like to keep this post running as a collection point for people's favourite or most evocative song lyrics. Please add a comment stating which song lyrics especially appeal to you, and what the reason is. I will constantly update the post with the best comments.

As an example, one of my most favourite phrases in a song (simply for the imagery that it conjures) is Iggy Pop’s ‘Lust for Life’ where he sings ‘…dance like you’re hypnotising chickens…’.

Another of my favourite lyricists is Nick Cave. I’ll provide some more concrete details, but some that immediately come to mind are ‘The Carny’, ‘The Weeping Song’ and ‘When I get home’.

Then for pure fun phrasing and rhyming, I would have to have AC/DC up there at the top of the list. Even some of their less musically brilliant songs are saved by a great turn of phrase and innuendo such as ‘Mistress for Christmas’, ‘Money Talks’ or ‘Big Balls’.

Hopefully this has provided an indication of what I am looking for, please mention the song name, the band, some snippets of the lyrics and why they are important to you.

June 10, 2008

OK I have a comment from 'Bluedaisy' relating to:

The Doors (i.e. Jim Morrison) with 'Child's fragile eggshell mind', pretty cool.

I have come up with a few more too:

Lloyd Cole in 'My Bag' says 'I'm your Yes Man, yes Ma'am I'm your Yes Man' which for some strange reason really appeals to me (the whole song is a roller-coaster of witticisms).

The Hold Steady in 'Party Pit' say '..gonna walk around and drink some more..' which relates to the introspective 'what am I doing at this party' part of me.

Eels in 'Novocaine for the soul' say '... Jesus and His lawyer are coming back..', very clever lyrics indeed.

Keep them coming guys!!!!!!!!!!!!!!!

Classic albums revisited 2: AC/DC - Back in Black

I clearly remember how I got into AC/DC. I always knew about them, as one of my class-mates in primary school was a big fan. He had the early albums and was always going on about ‘Big Balls’ and ‘Whole Lotta Rosie’. In fact I remember one day when George brought in his record player (the kind in a box whose lid becomes the speaker) so that we could hear some of it. Well to be honest, I was not immediately impressed (probably something to do with the sound quality).

It was only later, in high school, when an exchange teacher from the US took it upon himself to warn us against the dangers of ‘Satanic music’, using AC/DC’s ‘Highway to Hell’ as his prime example (he had spotted it in one of the kids bag). This tirade renewed my interest in the band. Not necessarily due to the satanic link, but rather due to the edginess and rebelliousness I suppose. Needless to say, I really got into ‘Highway to Hell’, and then when ‘Back in Black’ came out I was completely hooked (thank you so much Mr. Waters).

It became a soundtrack to those formative high-school years with the driving hard rock encouraging one to keep going, persist and see the humorous side to the day-to-day drudge. It was our primary party album for a long time.

Recently I bought the CD version in a fit of nostalgia and thought I could provide my insights into how it has held up over the years.

‘Back in Black’ is particularly significant to the band as it was their first album with new lead singer Brian Johnson after the tragic passing away of Bon Scott. They had just achieved spectacular sales and success with the Scott album ‘Highway to Hell’ when he died. The band decided to carry on, and immediately started auditions for a new singer. Within the year the new album was out, and must have been viewed as ‘make-or-break’ by the band. Fortunately it was even bigger than ‘Highway to Hell’. Part a dedication to Scott, part a proving ground for Johnson, and part a proving ground for the rest of the bands abilities, it had a lot to live up to, and it is testimony to the collective band that they managed to pull it off so well. I also believe that this has been their most successful album ever.

Hitting ‘play’ let’s have a look at what we’ve got:

Hells Bells

Whenever I hear bells, anywhere, I am always reminded of this song. A meticulous (although obviously demented too) Quasimodo steps up and starts hammering away at an enormous bell. Then it’s the chiming guitars and the rest is history. In the context of the AC/DC fan-base getting their hands on the new album, putting it on and then getting their first hearing of the new lead singer, this is an excellent showcase.


Shoot To Thrill

These days, I think people are less able to identify the use of similes, metaphors and parodies in songs. This one for example would definitely confuse most people with regards to the message it seems to give.

The music is great Chuck Berry times a 1000 riffing, also echoing some hard hitting types of counter-pointal shots. I love it but then so would Julius Malema.

What Do You Do For Money Honey

Gold-diggers have a special place in rock history, and here AC/DC in their most philanthropic of moods try to warn us about them.

Given the Dog a Bone

Dog lovers to the core, these guys don’t hold back when it comes to some of their very personal revelatory types of experiences. Musically this is probably my least favourite song on the album.

Let me put my love into you

'Let me put my love into you, Babe' pleads the cloth capped Johnson. Showcasing the more sensitive side of the band, this song is also an excellent vehicle for the type of lyrics that never cease to amuse. I am going to be starting a post next whereby I gather my, and my readers favourite lyrics to songs, and this may well be on there. They don’t ever say ‘please’, but at least they are asking for permission! I love Angus’ guitar work on this track, especially during the ‘don’t you struggle, don’t you fight, cause it’s your turn tonight’ part, his guitar solos breaking down into manic giggles.

Back in Black

Hmm – I can still recite the lyrics word for word even after 20 years. That’s either very embarrassing or else proof that the human brain is capable of phenomenal feats. Although I must confess that I have listened to it pretty regularly over those 20 years. Who knew that ‘Back’ can be pronounced with 4 syllables?

You Shook Me All Night Long

This is one of my favourite tracks of all time. Another one whose lyrics I can recite word for word. Come to think of it, I think that we always used to play side 2 before side 1 in those good old vinyl days. I think that this song was key in defining my vision of the perfect woman (sad I know, how wrong I was). The guitar solo on this song is still as fresh and original as ever. If you believe in the ‘Pick of Destiny’, this solo would seem to prove the legend.

Have a Drink On Me

Seen as the tribute song to Bon Scott who died after a heavy night of drinking, I find the lyrics a little below what the guys have consistently proven themselves capable of. However it has always been a great song for playing at the heart of some hard partying, often leading to the arrival of a fresh round, so it can’t be all wrong.

Shake a leg

Another track from the band that makes it feel alright to be a guy. Can be interpreted as a call to some rampant head-banging (‘shake your head’), but obviously is not. This is a slower paced song that is still energetic and hard-hitting musically. The actual sound that the band managed to capture in this song is everything that is great about AC/DC – the guitar tones, the thundering drums and Brian’s seemingly shredded vocal chords.


Rock and Roll Ain’t Noise Pollution

Proving that the band has always had a strong leaning towards environmental awareness, here they tackle some pretty weighty subject matter. In it they also prophetically predict the overall fortune of the band. It’s really uncanny listening to it 28 years later. It’s a great way to end the album and also alerts us to the possibility of pronouncing ‘Rock’ using 3 syllables. If you close your eyes and listen very carefully you can hear that Angus is smiling all the way through this song.


Well, in review, it is amazing how well this album has stood the test of time. Sure it does not sound as ‘heavy’ as it did in the day, but if anything this is a good thing. The band owes a lot to Chuck Berry, and considering this, I suppose that Mr. Berry sounded pretty ‘heavy’ when he first came out. The lyrics are still fresh and entertaining although ‘Have a Drink On Me’ does start to sound a bit dated, and Angus Young’s guitar work still far surpasses what most guitarists are capable of to this day. Anyway, I’m off to gain a better understanding of what ‘American thighs’ are…….

CD Review: Breeders - Battle mountain

What with the recent spate of power outages that have seemed to affect my street only lately, and the fact that I have been out of the country for a week, my music blogging has suffered a bit. As a travel tip, I can say that when landing in Rome it is not advised to speak to anybody about taxi’s while still in the terminal – you get whisked away to unscrupulous taxi services who then charge the earth. Go outside to the official taxi rank, choose a taxi that looks official, and expect to pay about 40 Euros to get from the airport to the city centre of Rome.



Now, on to the CD Review!

My first impression of this album is that it is Lo-Fi. Meaning that things are stripped pretty much to the bone. It sounds like the Breeders are using old and worn out guitars, drums, amps, tape, bass guitars and Kim Deal’s lungs. Not that this is a bad thing, if the songs are strong.

When the Pixies reunited in 2004 I was a little worried. No matter how much one wants more and more of a good thing – in this case a new Pixies album, there is a lot to be said for quitting while you are winning too. My worrying caused me to avidly scan every little snippet I could find to try to determine whether they were recording again, and if so how it was going. In the end they only managed a couple of songs, which I have not heard as I have never managed to figure out Itunes (they don’t seem to service South Africa), which was the only place that they were released. At the time Frank Black commented that they had had problems getting Kim out of her house and into a recording environment. As always there was probably more to the situation than meets the eye, because she has clearly been channelling energy into the Breeders.

Battle Mountain is an album that I believe belongs in a context. It does not play that well in my car where the low-end is lost to the rumblings of the road (and most of the album is pretty much low-end). You can’t play it with the kids around as they consider it boring, and you probably could not play it with guests around as it might be considered too gloomy/moody. So my dilemma is that it sounds like a good album and what I hear I like, but in my natural surroundings the response to it by the co-inhabitants is cool (a bit like Grinderman’s excellent offering). So maybe the context for the album is sneaking off to a nice quiet place with a pair of good head-phones!

Let me try that out before continuing with the review……

Hmmm, this only goes to show how dangerous first impressions can be. The album is definitely fairly low-key in the sense of an un-hurried and simplified type of offering. But that does not mean it is not exciting. There are great songs on this album, my favourite being ‘Istanbul’ which displays how to create something that is complex and fun with a minimum of technology. The single ‘We’re Gonna Rise’ is also strong, while ‘It’s the Love’ is another strong favourite of mine.

This is also one track in German and one in Spanish, I have no idea what they are about, but I really like the German one. All the way through the bass playing is really good.

Listening to this album reminds me of bands like The Breeders (Doh!), Pixies (Doh!), PJ Harvey (not a band I know), and Throwing Muses. If you like these bands, and want some music that comes across as warm and cosy, you will enjoy this album.

CD Review: Eels – Useless Trinkets B - Sides, Soundtracks, Rarities and Unreleased

Compilations of B-sides can be a risky purchase if there is not some underlying level of consistent talent relating to the band or artist concerned.

I have always been more of an album guy, buying an album rather than a single with the view that singles are generally the tip of the ice-berg and one needs to assess the artists entire offering before coming to hasty conclusions.

What this tends to mean though, is that I generally snap up B side and rarity compilations of bands as it is generally guaranteed that I would not have heard the songs before.

Some of my favourite albums are thus The Pixies’ ‘B sides’ and Nick Caves ‘B sides and rarities’. Nick Cave’s offering is a sheer extravaganza, sprawling over three CD’s, containing one highlight after the next. It drives home everything that can be good about this type of compilation, such as finally getting versions of songs that have only appeared on movie soundtracks, or getting a glimpse of the artist when they are just relaxing and having some fun in the studio. Often these types of compilations include cover versions, which provide further insights into a band or artist with regards to their influences. Further, these compilations also often include stripped down or reworked versions of well known songs, which also provides food for thought where the listener can imagine how things are probably turning out in a parallel universe (I could not resist this ‘Eels type reference’). All in all compilations like this are normally the best way to really get to know a band.

Back to the Eels though and I must state up front that they have been one of my favourite bands for a very long time. The main member of the Eels is an individual known as E (His real name is Mark Everett, but he had two childhood friends who were also called Mark so they started using surnames, eventually shortening them to initials only). Oddly enough I missed the whole ‘Beautiful Freak’ period (their debut album) and only became aware of them through their next album ‘Electro-shock blues’ which created a huge positive impression on me. Since then I have been following their progress pretty closely and therefore became aware of the dual releases in 2008 of both a Greatest Hits and the B sides and rarities compilation. I have not checked out the greatest hits album yet as they are both very expensive in South Africa, and my thinking was that I probably have most of those songs. Therefore I decided to spend my hard-earned cash on the rarities album. Expensive though it is, I must point out that it consists of two CD’s and a DVD, as well as a fairly substantial set of liner notes with entries by E himself. Each CD has 25 songs on it with the DVD containing six songs too, so that totals to 56 songs by the Eels that I have not owned before.

Justification I suppose, unless they are all throw-away junk songs…..

But let me start with the DVD. The DVD contains six songs from the Eels’ 2006 Lollapalooza performance. As I understand it, the live Eels band can take on many configurations, this one being pretty stripped down with only 4 people on stage. However, the performances are satisfyingly off-beat and fun with my favourite being a great version of their early song ‘Not Ready Yet’ which includes an extended jam with E handing over his guitar to the 'security' guy at one stage to carry on with the riffing. Sound and image quality are good and the only complaint I have is that the six songs are over too soon.

Next are the CD’s. After three listens, I can report that there are no tracks that have me reaching for the skip button. That in itself is saying something about the consistency of this compilation considering that there are 50 tracks. There are great live and alternative versions of familiar songs such as ‘Novocaine for the soul’, ‘I Like Birds’, ‘My Beloved Monster’, and ‘Hospital food’ to name a few. Then there are some really weird offerings such as ‘Waltz of the Naked Clowns’ and ‘Jelly Dancers’. The firm favourite for now is the Moog Cookbook remix of ‘Novocaine For The Soul’. Also worth a mention is the fact that this compilation includes two covers of Prince songs, which one would not naturally associate as an influence on the Eels, but it all makes sense now (both actually coming from the same album ‘Sign O the Times’). But then who can be impervious to the influence of the Royal Purple Funkmaster?

Overall there is never a dull moment on this set of CD’s and as I hoped, it really does provide some deeper insight into E (I think it is time to order his autobiography from Amazon). They remain one of my favourite bands and hopefully there is a lot more where this comes from (I wonder if I should try to send a note to E warning him of the hazards of smoking those huge cigars he often pictured enjoying before he splutters out).

CD Review: Lucky Dube - The Best of Lucky Dube

Over the years, I have been privileged enough to witness some brilliant South African music live.

Having recently purchased the Lucky Dube – 'The Best Of' CD, I was struck by a big dose of nostalgia. I have been fortunate enough to witness live performances from seminal bands such as Sakhile, Stimela and Juluka. In fact, Sakhile’s show was the only time I have experienced my hair standing on end as a result of the collective band member’s musical virtuosity. Over the years I have been fortunate enough to see myriad bands come, some stay and others go, some brilliant and some rather average. I have been to concerts by Hotline where a young PJ Powers belted out Led Zeppelin covers accompanied by an awesome Alistair Coakley. I have seen Brenda and the Big Dudes dole out the soulful and funky, and then also witnessed the rise and (in some cases) fall of bands such as No Friends of Harry, Cinema, The Helicopters, Little Sister, Psycho Reptiles, Petit Cheval, Tananas, Dog detachment, Tribe after tribe, Seether (as Saron Gas), Wonderboom, Prime Circle, Henry Ate, the list goes on and on. Some were really good, other just OK and others really bad. What bothers me though is the lack of continuity and permanence of good bands and artists in South Africa. I think that there are probably numerous and complicated reasons for this (one being that people don’t go out and buy their albums), but what is sad is that we have this problem at all.

So it is even sadder when we have such seriously talented artists like Lucky Dube, who has been a relatively successful counterpoint to the inconsistency by becoming hugely popular throughout the world, and especially Africa, and releasing album after album of quality reggae music, who are cut down in their prime by mindless criminals. He has not been the only one, sadly there is a long list of highly talented musicians who have lost their lives to crime in South Africa.

It only takes one listen to this CD to realise that here was a hugely talented individual, surrounded by an extremely talented set of musicians, producing quality music time after time. The reasons for his continuous success is also obvious when you listen to the songs and realise just how good the musicians were, how much care was taken with the production of the songs and how much thought went into his lyrics. These songs are so much a part of South Africa’s radio airwaves that it is hard to understand why some of Dube’s underlying messages of Peace and Social Consciousness have not seeped into our ailing national psyche. Every home should have a copy of this CD, play it loud in your home and in your car, quote the lyrics to each other so that hopefully this contributes to South Africa becoming the beautiful nation that we all want so badly.

CD Review: Shack - Time Machine The Best of Shack

Shack is a band that everybody should know about, but they probably don’t. Consisting mainly of Michael and John Head, brothers from Liverpool, the rest of the line-up has kept changing over the years. Members trace their roots back to The Pale Fountains and The Strands. Read about them on Wikipedia here: http://en.wikipedia.org/wiki/Shack_%28Band%29 The Head brothers apparently have a bit of an obsession with Arthur Lee and the band Love that comes through in their own writing. In fact when Arthur Lee visited the UK they performed the role of his backing band.

Shack consistently produces quality albums that contain beautiful songs. More often than not, these songs are about everyday occurrences with the skill of the Head brothers being that of holding up a mirror for their listeners to use to look at themselves. My first experience of Shack was when I got hold of the ‘HMS Fable’ album. This album on its own should convert anybody into a Shack fan. Each and every song is a killer. Michael and John, on Vocals/Rhythm and Vocals/Lead respectively, sing and strum away in some of the most evocative songs I had heard for a long time. My favourite song on this album is ‘Daniella’ which I don’t think is the obvious choice but really appeals to me. I next got the album ‘The corner of Miles and Gil’, although ‘Here’s Tom with the weather’ came out between these two albums, which in my view was not as good as ‘Fable’, but still a very strong offering.

Next for me has been ‘Time Machine’: the to-date Best Of offering. As with most Greatest Hits compilations, there is always going to be some debate as to which songs make it onto the CD (I for one cannot understand how Neil Young could release a single CD Greatest Hits compilation, he has enough hits to fill at least 3 CD’s). I think that in Shack’s case, this can be even more heated than usual. This is because their songs work on such a personal level, meaning different things to different people. I just love the track ‘Cup of Tea’.

As always, as it is a ‘Best Of’ compilation, one has to view the offering in terms of completeness as well. In other words, if viewed as a ‘Time Machine’ it must include tracks from all stages of their career in order to be able to transport the listener back in time. From this perspective this is an excellent collection that enables the listener to hear the evolution of the band as they grow from strength to strength. This is not to say that the earlier tracks are not good – they are indeed very good. What changes though is the production quality and the growing use of other elements to further enhance their sounds, such as a strings section (maybe what changed was the budget available to the band when entering the recording studio).

The two songs on here that are most recent do not come from any of the already released albums, and therefore could be seen as providing a view into what is still to come from this great band. I must admit, while they are not bad songs, they do seem a bit too conventional in my view.

Overall, this is a nice snapshot of a very good band that manages to help the listener to identify the beauty in their everyday surroundings. The songs always leave me with my mood improved and uplifted. The message from the band seems to be that: no matter what terrible things happen in your life there is also a lot of beauty around if you look hard enough. If you like this their other albums are sure to blow your mind, I recommend ‘HMS Fable’ first and then move on from there, you will not be disappointed.